Debussy & Schoenberg: Pelléas & Mélisande

Artist(s):

Jonathan Nott
Release Date: 12-11-2021
PTC: 5186782
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Tracks

CD1

Claude Debussy: Pelléas et Mélisande, suite symphonique (arr. Jonathan Nott)

CD2

Arnold Schoenberg: Pelleas und Melisande, op. 5

Audio Player 1) Part I: First Movement Sonata Form - Introduction, Die Achtel ein wenig bewegt (A forest – Mélisande – The immutability of destiny – Appearance of Golaud) 4.17
Audio Player 2) Part I: First Theme Group, Heftig; Sehr warm, in breiter Bewegung (“ne me touche pas” – Golaud & Mélisande) 3.29
Audio Player 3) Part I: Second Theme Group, Lebhaft (Pelléas; Pelléas et Mélisande (Codetta: Awakening of mutual love; Short Recapitulation: Golaud and the ring) 4.03
Audio Player 4) Part II: Scherzo with Episodes, Sehr rasch (A well in the garden – Pelléas & Mélisande) 1.01
Audio Player 8) Part II: Episode I, Sehr langsam (One of the castle’s towers – Pelléas & Mélisande (Hair Scene)) 1.26
Audio Player 10) Part II: Episode II, Sehr langsam, gedehnt (The castle's vaults - Golaud & Pelléas) 1.28
Audio Player 11) Part III: Slow Movement - Introduction, Ein wenig bewegt (A well in the garden - Pelléas & Mélisande) 1.14
Audio Player 12) Part IIIa: Love theme, Langsam (Love scene, Pelléas & Mélisande) 1.06
Audio Player 16) Part IV: Recapitulatory Finale – Recapitulation of Introduction, Sehr langsam (A room in the castle) 4.37
Audio Player 19) Part IV: In gehender Bewegung (Castle maids appear; death of Mélisande) 2.05
Total Tracks 35
Total Duration 01hr 12min

Album information

PELLÉAS & MÉLISANDE IN A NEW LIGHT

This new OSR recording presents the two most ambitious musical responses to Maurice Maeterlinck’s 1893 epoch-making play Pelléas et Mélisande.
Conductor Jonathan Nott has created a new suite of Debussy’s opera, which is much more extensive, and focuses more on the actual drama and symphonic development than existing suites that rely heavily on Debussy’s interludes.
Schoenberg’s Pelleas und Melisande is often perceived as relatively “amorphous”, its narrative structure obscure, leaving concealed all but the most explicit references to the drama on which Schoenberg based it. In this recording, Jonathan Nott introduces a novel track division and analytical track titles that make the music’s relation to the story much more tangible to the listener. Programming it next to the music of Debussy’s opera allows us to compare both works, and to see how the most important innovators of turn-of-the-century music responded to this haunting, Symbolist story.

The arrangement of Debussy’s music on this recording is the work of Jonathan Nott. This arrangement, of which he is the sole author, may not be recorded, performed or used in any way without his permission © jonathan-nott.com.

Released physically as a 2 Hybrid SACD set.